Books

Debut Novel: Fräulein: Struggle for Identity

BRILLIANT, YOUNG AND AMBITIOUS, Annika Tritzchler defies the norms of 1930s Berlin by pursuing medical training in a venue traditionally dominated by men. Facing contempt from her counterparts is minor compared to the massive upheaval in a city transitioning to dictatorship while brutally persecuting its enemies.

Annika's career takes a decisive turn when, early in her psychiatric residency, she is expected to participate in applied eugenics- the roguish trend within Nazi medicine. Sterilizing patients deemed racially inferior and euthanizing the handicapped (including patients that she, herself, has been treating) works against everything she holds sacred. Acquiescence means choosing survival over morality, the antithesis to the spirituality nurtured by her Lutheran mother and Jewish stepfather.

Brimming with historical detail, Fräulein is less a story of Nazism than a woman's attempt to rediscover meaning after her sense of self was shattered by unimaginable trauma. Recapturing identity is central, but only if she comes to terms with guilt.

Fräulein Bibliography (click to view)

2nd Novel: Sigmund Fraud, Licensed Impostor

{This book has earned a 4 star rating from the prestigious IndieReader, whose “top industry professionals judged it not as merely a great indie book, but as great book, period.”}

Set in suburban Philadelphia, Braydon Mitchell, Ph.D. is a thirty-something, married psychologist whose life has become a see-saw of struggles: personal and professional. Written in the first-person, Dr. Mitchell (Braydon) walks us through a fictionalized spectrum of psychiatric cases, including diagnoses, treatment plans and complications. The story’s irony, however, is that while Braydon spends each day doctoring his patients, his own marriage is crumbling under the weight of unresolved hurts and personal tragedy. His downfall is to gloss over these problems through a variety of self-defeating distractions, which is in complete contrast to the advice he so blithely offers his patients. Over time, his self-styled veneer as a respected clinician gives way to his feeling like an impostor. In a moment of utter despondency, he refers to himself as “Sigmund Fraud.” The dilemma he confronts is whether his emotional burdens and poor problem-solving skills will destroy not just his livelihood but himself in the process.

A silver lining could be that his failures would cut away at the professional distance between Braydon and his patients, giving him greater capacity for empathy. Maybe. But one thing’s for certain. He will discover that as a man who earns a living by conveying wisdom, he is not above the same type of frailties faced by anyone seeking his services, no matter how unique or bizarre their circumstances might initially appear.

The novel doesn’t end on this simple, existential note. Instead, it snakes through numerous sub-plots that all come together in a

denouement that defines the doctor’s true self. Whatever insight he might have gained in the process is a gift that comes not from textbooks or mentors, but from the very individuals who have humbled themselves before him. He will need to discover that his patients are in some ways healthier for having taken the risk of confiding and working on their insecurities, a risk that Braydon finds utterly challenging.

Entitled Sigmund Fraud, Licensed Impostor, this down-to-earth novel paints a human face on both patients and the caregivers that minister to them. They are all similar, all human, no matter what their professions, accomplishments, or boastings might suggest. The underlying theme is that there is more to each person than the fabricated face presented in everyday life.

George Eliot suggested that one can’t judge a book by its cover. And one of the characters in James Jones’ The Thin Red Line said, “ … everybody lived by a selected fiction. Nobody was really what he pretended to be.”  Leonards’ novel looks beyond those fictions by providing a window into the vulnerabilities and defense mechanisms shared by doctor and patient alike.

  • Publication Date: March, 30, 2023

3rd Novel: The Boathouse Row Murder

Description of Novel

Sergeant McDermott’s a cop; a rogue, two-fisted flatfoot in one of West Philly’s toughest hoods. Racist, misogynistic, and totally unscrupulous, he’s the textbook embodiment of everything a lawman shouldn’t be, a guy who’s as cunning as he is ruthless and never above bending the law to get what he wants, even if that means framing innocent people to cover his dirt.

Investigating the suicide of a teenage choirboy leads McDermott to a pedophile priest and the gay monsignor who covers for him. The sergeant’s discoveries are timely, coming in the aftermath of the infamous criminal trials of the Archdiocese of Philadelphia, which gives McDermott the perfect set-up for extortion.

But when a murder threatens to upend the entire scheme, the sergeant fingers an innocent, black, Wall Street-bound graduate student. His false allegations will only stick if he can secure corroboration from hot-to-trot Julie Wasserman, head of the city crime lab and McDermott’s as yet unrequited heartthrob.

An unexpected complication arises, though, when jive-talkin’ Johnnie Carbone hits the streets. Two-time loser and fresh out of the joint, Johnnie’s got his own axe to grind, one known only to his parole officer. The PO may think he's got his parolee on a short leash, but Johnnie; well, Johnnie ain’t no dog.

And then there’s Teddy, a timid young momma’s-boy who’s seeing a shrink for a longstanding anxiety disorder. Teddy’s got a secret, actually more than one, and it’s eating him up. If he don’t spit it out, could be that an innocent man will spend the rest of his life in prison.

THE BOATHOUSE ROW MURDER is a raw, sprawling, swashbuckling tale of betrayal, corruption, and exploitation. Showcasing social ills on a gritty, down-to-earth level, the novel will grab its readers and not let go until the gripping, unexpected finale.

Anticipated publication: June, 2024

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Author’s Note: Bernard Cornwell wrote, “ One of the delights in writing novels is to discover that the characters insist on creating their own destinies.” I’ve certainly discovered this for myself. I may have an idea of the direction of a novel, but it continually changes over the course of it’s construction. So, please stay tuned for updates as this book is still in its early stages.